Description
TONE MATCH Gen2 PATCHES, CAPTURES, AND PROFILES OF A BAD CAT WILD CAT 40R

For these presets and captures, we’ve captured a Bad Cat Wild Cat 40R amplifier. The result is a set of presets and captures that sound exactly like our amp, and the microphones, preamps, and EQ chains that we use to record it.
The Wild Cat is a two channel amplifier from Bad Cat that is capable of beautiful full-bodied chime-y cleans on channel one (12ax7) and huge driven tones on channel two (EF86). Channel one reminds us of everything we love about a great AC30 or Matchless C-30, and channel two can get into classic overdriven Marshall type tones. Together it makes for an extremely versatile amp capable of a wide variety of tones.
We’ve captured and tone-matched the amp through it’s 2×12 cab loaded using a Royer 121 and Earthworks SR25 through a stereo Neve 1073 preamp.
TONE MATCH (Gen 2) PATCHES (Applies to Line 6 and Fractal presets)
These are part of our ‘Tone Match’ line of patches. To create these patches, we make custom IR’s that ‘match’ the HX and Fractal amp models to our real-world amp. The result is the Line 6 and Fractal units sound almost exactly like our actual amplifiers.
The ‘Gen2’ indicates a new process we’ve used when Tone Matching our amplifiers that takes more of the amplifier’s cab and speaker into account, resulting in a more accurate tone match impulse response.
PRESETS INFO
(Applies to Line 6 HX, Fractal, and Quad Cortex units)
The pack includes 2 sets of presets (each with SC and HB options). The presets are labeled ‘A’ and ‘B’, and feature different approaches to signal chain and amp channels.
NOTE: The HX Stomp, POD Go, and FM3 folders include ‘FX” presets. These presets include the additional effects blocks from the full Helix/Axe-FX versions. Because these units have signal flow and DSP limitations, they are not as fully featured as the flagship units.
‘A’ PRESETS: The ‘A’’ presets feature the 12ax7 channel (clean) with two amp blocks set up in a stereo pair with all the wet effects feeding into the amps. Think of it like running a large stereo pedalboard into two amplifiers set on the ‘edge of breakup’.
‘B’ PRESETS: The ‘B’ presets feature the both the 12ax7 clean channel and the EF86 overdriven channel via two separate amp blocks. In the ‘B’ presets, the modulation, delay, and reverb effects are placed after the amplifier blocks, and we’ve given you a switch that toggles the two amp blocks on/off. This replicates the channel switching in the amp, and a studio setting where all the modulation, delay, and reverb effects are applied after the amplifier.
*POD GO Users: Because POD Go cannot utilize two amp blocks in a single preset, we’ve delivered one set of presets based on the 12ax7 channel, and another set based on the EF86 channel.
SNAPSHOTS/SCENES
Our presets include Snapshots for instant access to a wide variety of tones, including clean sounds, ambient tones, driven, lead, and high gain sounds, and modulated tones.
NOTE: The HX Stomp presets do not include Snapshots.
CAPTURES & PROFILES
(Applies to TONEX, Quad Cortex, and Kemper units)
The captures increase through the entire gain range of the amp. We’ve delivered 8 total captures: three from the 12ax7 channel and five from the EF86 channel.
The captures are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.
QUAD/NANO CORTEX – HOW DO YOU GET THE CAPTURES?
When you place your order, we will need to manually send you the captures through the ‘Cortex Cloud’ app by Neural DSP, available for both iOS and Android devices. First, you need to have the app installed and you must have an account through the app (go here to create an account and access the app).
This is how we will send you the captures:
- Please include your Cortex Cloud app username in the ‘Notes’ field when checking out. If you do not include this, we cannot send you the captures. After we receive your order, we (SignalTheory) will follow you on the app.
- Follow ‘SignalTheory’ on the Cortex Cloud app. This will make us ‘friends’ through the app :). If you are not following us, we cannot send you the captures.
- After we receive your order, and we ‘Friends’ on the app, we will send you the captures through the app. We bundle the captures into presets, so you will receive one (or more) presets that include all the captures. You will find the captures in the ‘Shared with me’ section on your Quad Cortex.
- Please allow up to 5 business days for us to send you the captures. Most orders will be fulfilled within two business days or less. This fulfillment process must happen manually – we will do our best to get you the files quickly. Once the NDSP marketplace opens, this process may change.











Dy (verified owner) –
I have a lot of stuff from WT/ST and this one is my favorite and the best one imo. This sounds very close to an actual Wildcat via Suhr reactive load + the included IR. Going back and forth between the real amp and the preset shows they got really close. And in a mix, the difference is very minimal. If you love the Wildcat’s Vox meets Marshall vibe then try this preset. A bit less chime than a C30 or Era, but tighter bass and punchier low mids especially when driven. You still get the grind and crushed glass breakup. And if you really want just a beefed up C30 kind of sound – using the matchless IRs from WT/ST will get you there.
Dy (verified owner) –
I have a lot of stuff from WT/ST and this one is my favorite and the best one imo. This sounds very close to an actual Wildcat via Suhr reactive load + this preset’s included IR. Going back and forth between the real amp and the preset shows they got really close. And in a mix, the difference is very minimal. If you love the Wildcat’s Vox meets Marshall vibe then try this preset. A bit less chime than a C30 or Era, but tighter bass and punchier low mids especially when driven. You still get the grind and crushed glass breakup. And if you really want just a beefed up C30 kind of sound – using the matchless IRs from WT/ST will get you there.